What We Learned About Making Good Plays: “We Don’t Care If They’re Any Good” (At Least For Awhile)

“What we learned working on Sinan’s play, and several others at that time, completely changed our DNA. We learned that the pressure of rushing to production forced us to take safer approaches and to marginalise the most important visionary of all, the writer.” After Pera Palas, the Lark changed its approach. “We became what I like to call a ‘rehearsal company’. We would be a play lab, a think tank for theatre.” – The Stage

Article source here:Arts Journal