A movie with this type of drawing power couldn't come at a better time for movie theater investors. Changing consumer demand has pummeled theater investments in recent times. While the S&P 500 gained 29% over the past three years, stocks for the largest film exhibitors have taken it on the chin.
“I think they were really committed to being as accurate as possible, so they wanted a principal dancer, a real ballerina,” Boylston says. “Justin Peck, the choreographer, is a good friend of mine — we had worked together before on our own film that premiered at Tribeca Film Festival a couple of years ago. He called me and was like, ‘I think you’d be a great fit for this project.’ And I was like, Francis Lawrence? Jen Lawrence? Sign me up.”
At the start of his series, Clark asked: “What is civilisation? I don’t know. I can’t define it in abstract terms, yet. But I think I can recognise it when I see it.” Turning to Notre Dame, he added: “And I’m looking at it now.” Schama, shaken by Isis brutality, is certain: “We can spend a lot of time debating what civilisation is or isn’t,” he says, “but when its opposite shows up, in all its brutality and cruelty and intolerance and lust for destruction, we know what civilisation is, we know it from the shock of its imminent loss, as a mutilation on the body of humanity.”
The wide range of approaches to creativity—from psychoanalytic, to psychological, to neurobiological—generally reveals the diversity of the field, but has led some to describe it as “a degenerating research program,” as Mark Batey, a senior lecturer in organizational psychology at the University of Manchester, wrote in a 2012 article on measuring creativity.
Eliza Vincz, a historian specializing in 18th-century fashion and politics, had arrived at the museum to participate in a “Fashion and Beauty Tour” led by Shady Ladies Tours founder Andrew Lear, an art historian and scholar. She was wearing a gown of blue silk taffeta and silk organza in the style of dresses worn around 1765–1775, as found in portraits from that era (and somewhat similar to a dress from that period in the Met’s permanent collection). But as the group entered the museum, a security guard took exception to Vincz’s conspicuous couture.
"I have to say [Pyongyang] is honestly one of the most colorful cities I’ve ever been to. You expect a gray, crumbling, 1950s dystopia of decaying concrete, but they’ve made a real conscious effort to try and cheer the place up." The spit shine is part of North Korean supreme leader Kim Jong-un's campaign to make his country the next big tourist destination. The Eternal Chairman hopes to draw 2 million tourists annually by 2020.
"Some seven years ago, it was the then Chairman of the National Endowment for the Arts who was able to bring us together as foundation leaders because his agency had a strong history of investing in each of our communities. He was also able to bring together senior officials from agencies like the Department of Agriculture, the Department of Housing and Urban Development, and the Environmental Protection Agency because he was their peer in federal government. Together, we have worked more effectively than we could have done alone exactly because the public sector and philanthropy are not meant to do the same thing."
"If the bank has its way—and who’s to stop it?—workers will soon take acetylene torches to the 700-foot, 57-year-old building at 270 Park Avenue, razing and then replacing it with a 1,200-foot-high hyper-headquarters ample enough for 15,000 people. Union Carbide will become the tallest structure ever demolished by peaceful means, grabbing that mournful title from the 1908 Singer Building, which came down in 1968."
"The model organisms used for [a new] study were colonies of flavobacterium, a rod-shaped bacteria found in soil and freshwater; the colonies were naturally a rich, metallic green hue. By altering the genetic makeup of the flavobacterium, the scientists found they could also change the color of the bacteria. Not only could they produce any color of the rainbow, they could control the intensity of each shade" - and the resulting pigments are brilliant and iridescent, like peacock feathers.
Earlier in February, at least five anonymous commenters alleged sexual misconduct against Alexie in the comments of a School Library Journal articleabout sexual harassment in children’s publishing. While the article didn’t name Alexie, in the Pacific Standard, writer David Perry linked to the article and wrote that Alexie “has been accused of sexual abuse by at least five women.”
"Juan Rulfo (1917–1986), rightly revered in Mexico and outside, is regarded as one of the most influential Latin American writers of all time. ... One reason for the surprising neglect of Rulfo today may be that his reputation rested on a slender harvest of work, essentially on two books that appeared in the 1950s." Ariel Dorfman pays tribute to Rulfo - and explains why his work hasn't fared as well in the English-speaking world as it might have.
"Few visual moments are as strange as the scene at the beginning of act two, in which Macbeth sees a dagger floating in the air, apparently leading him to Duncan's bedchamber. This hallucination provokes one of Shakespeare's most famous speeches: 'Is this a dagger which I see before me?' ... For this strangest of plays, the paradox is fitting: its best-known prop is almost certainly invisible." Andrew Dickson looks at the ways some of the great actors and directors have handled the scene.
Can Rotten Tomatoes really make or break a movie? It definitely has an impact, says Ethan Titelman, a senior vice-president at the Hollywood market research firm National Research Group (NRG). According to NRG’s annual survey, 50% of regular moviegoers frequently check the site, often immediately before buying their cinema tickets. And 82% are “more interested” in seeing a movie if it has a high Tomatometer score, while two-thirds are deterred by a low score.
The board of governors of the Academy of Motion Picture Arts and Sciences “left intact Rule Two, the one that established that a film” — in...
