Tuesday, July 31, 2018

The Neuroscience Of Cruelty And Evil (Not Much To Go On)

Today, biology is a powerful explanatory force for much human behaviour, though it alone cannot account for horror. Much as the neurosciences are an exciting new tool for human self-understanding, they will not explain away our brutishness. Causal accounts of the destruction that humans inflict on each other are best provided by political history – not science, nor metaphysics.



Article source here:Arts Journal

Think You Have A Book In You Yearning To Be Free? Naaah.

“A story may be things that happened, embellished for interest, but that’s not a book. Many stories don’t get good until the end. Some stories — true ones even — are hard to believe. Other stories are just too short, don’t have enough tension, or frankly aren’t that interesting. The stories we tell that enrapture our friends and families may be extraordinarily boring to those who don’t know us. Those stories are not a book.”



Article source here:Arts Journal

Sixty Former Royal Winnipeg Ballet Dancers File Class Action Suit

When the ensuing police investigation ended in 2016 with no charges, they sued. Today more than 60 former RWB dancers, now adult women, have joined a class-action lawsuit that was certified in July and is seeking $75 million in damages from photographer Bruce Monk and the ballet company.



Article source here:Arts Journal

Is Art For The Sake Of Art Missing The Point?

Nonprofit organizations must be service-oriented to better the lives of those who cannot better it on their own. Using that as a jumping-off point, I believe that every single person has the right to succeed. Yet a whole slew of people cannot act on that right without being blocked. Therefore, if I should choose to run another nonprofit arts organization before my mortal coil shuffle happens, our group would happen to produce plays. But, everything we would do would be for the purpose of connecting and improving the effectiveness of those with expertise and working service portals — those with access to a proverbial “underground railroad.”



Article source here:Arts Journal

UK Claims For Tax Relief Were Sharply Up Last Year

Theatre tax relief was introduced in 2014, offering qualifying productions a reduction in corporation tax of 20%, or 25% if they were touring. It is among a suite of tax incentives offered by the Government to the creative industries, with other beneficiaries including film, video games and high-end television. Last year there were 910 successful claims for theatre tax relief, with both large and small productions benefiting. About half of the relief awarded (£39m) went to claims for over £500k, of which there were 40. At the other end of the scale, more than a third of the claims (330) were for amounts of less than £10,000.



Article source here:Arts Journal

A Public UK Museum Releases Its Images To The Public Domain, Abolishing License Fees

“I bring better news from the campaign to abolish fees for images of works in British public collections. Birmingham Museums Trust has decided to go for “open access”, the first major British museum to do so. In a pioneering move, the trust will make images of copyright-expired works of art freely available to use under a CCO Creative Commons licence.”



Article source here:Arts Journal

What’s Being Lost As English Conquers The World

“Because English is increasingly the currency of the universal, it is difficult to express any opposition to its hegemony that doesn’t appear to be tainted by either nationalism or snobbery. … [Yet English] draws the same circle Humboldt described around its speakers as each of the other 6,000 human languages. The difference is that we have mistaken that circle for the world.”



Article source here:Arts Journal

Translation Matters

History is littered with more consequential mistranslations — erroneous, intentional or simply misunderstood. For a job that often involves endless hours poring over books or laptop screens, translation can prove surprisingly hazardous.



Article source here:Arts Journal

Why Mark Morris Is Choreographing Dances For After He’s Dead

“The romantic part of it is that I want to leave something to the people I’ve worked with over so many years. I want people to have work for a little while longer after I’m gone. [And] it’s way more fun for me than rehearsing repertory.”



Article source here:Arts Journal

Why Would A Sane Woman Go On A TV Dating Competition? As Performance Art (Of One Kind Or Another)

Ann Hirsch is a video artist who created a YouTube persona that attracted many thousands of viewers and got picked up by 4chan. Cathy Nardone just wanted to be on TV; she had done one reality series and was itchin’ for more. As part of Slate‘s “Decoder Ring” podcast series, Willa Paskin looks at what happened when the two women assumed fake personas to get on VH!’s Frank the Entertainer in a Basement Affair. (audio)



Article source here:Arts Journal

Study: Do Sci-Fi Readers Make Better Lovers?

The cliché of fans of these genres being lonely geeks is clearly mistaken. No doubt they have difficulties with relationships like everyone else. But it apparently helps to have J.R.R. Tolkien or George R.R. Martin as your unofficial couples counselor.



Article source here:Arts Journal

President and CEO, San Diego Youth Symphony and Conservatory

The San Diego Youth Symphony and Conservatory (SDYS) is seeking a full-time President and CEO to lead all aspects of the organization. S/he will fulfill the vision to make music education accessible and affordable for all by building upon SDYS’ past successes to leveraging SDYS’ new opportunities. The President and CEO will collaborate with the Board of Directors and diverse team of high performing staff and faculty.

The President and CEO is expected to be creative and entrepreneurial with the ability to deploy a high level of broad business management and strategic skills, generate resources and financial support, cultivate relationships with internal and external stakeholders, and manifest the culture of the organization. S/he must value networks and strive to leverage SDYS’ breadth of community relationships and programs to achieve systemic local and national impact. S/he will embody SDYS’ core values of inclusiveness, personal achievement, and community leadership.

The President and CEO is responsible and accountable to the Board of Directors to achieve the mission and vision of SDYS. The President and CEO has the latitude to manage the organization within the policies set by the Board with primary responsibility for the following areas: mission and institutional vision, board of trustees, educational and artistic programs, development, marketing and communications, partnerships, human resources, financial stewardship and operations.

JOB TITLE: President and CEO
REPORTS TO: Board Chair
STATUS: Full time, Exempt
SUPERVISES: Music Director, Deputy Director, External Relations Director (vacant), and Community Program Manager

San Diego Youth Symphony and Conservatory
San Diego Youth Symphony and Conservatory (SDYS)’s mission is to instill excellence in the musical and personal development of students through rigorous and inspiring musical training experiences. The SDYS vision is to “Make Music Education Accessible and Affordable for All.” We know firsthand that educational, social, community, and personal transformations happen when music is taught collaboratively in pursuit of excellence.

We fulfill our mission and pursue our vision through our traditional youth symphony programming (Conservatory Programs), our neighborhood-centered programming (Community Programs), and collaborations with families, educators, researchers, philanthropists and policy makers.

SDYS is one of the nation’s largest and oldest youth orchestras in the United States. Founded in 1945, SDYS’ Conservatory Program serves approx. 600 students from age 7-25 each season in 12 orchestral and wind ensembles ranging from introductory to advanced levels. We combine intensive music learning with leadership development and community service. To make our Conservatory Program accessible, we provide tuition assistance, sponsored lessons and other support services to students from families with financial need.

In 2008, SDYS’ Board of Directors adopted a vision to “Make Music Education Accessible and Affordable for All” to address the lack of in-school music education and its limited availability to low-income students. SDYS launched the Community Opus Project in 2010 to persuade school districts to provide in-school music to improve student achievement. Designed as a grassroots campaign, it also contained many of the principles of the El Sistema movement. The Community Opus Project resulted in the reinstatement of in-school music and arts education for all 30,000 K-6 students in Chula Vista Elementary School District (CVESD), California’s largest K-6 system. SDYS continues to partner with CVESD to provide after-school music ensembles to 350 students from across the city as well as targeted programs serving academically underperforming students at risk of failure in school.

Other communities in San Diego County have also benefited from our Opus experience. SDYS has partnered with local schools, districts and nonprofits that primarily serve low-income neighborhoods, to create new or strengthen existing music programs. In addition, SDYS partners with UC San Diego researchers to track the impacts of music learning on student development and academic performance. The five-year SIMPHONY Study combined language, rhythm, and cognitive development measurements with brain imaging. SDYS’ newest study with UCSD and CVESD examines changes in attendance, test scores, and language acquisition following the restoration of arts education throughout the system.

A specific objective of our vision is to widely share our methods and experience with increasing access to music education. As SDYS continues to improve access locally, we have begun to assist communities across the United States. SDYS presents regularly at conferences and state legislative hearings, participates in webinars produced by the NEA, NAMM Foundation, and BoardSource. SDYS’ collaboration with CVESD has received local, state and national media coverage and is the subject of a UCTV STEAM Channel documentary.

SDYS’ future includes formalizing methods for sharing our knowledge and experience collaborating with school districts, undertaking new research focused on music as an academic and social intervention, preparing and licencing our custom student management database system as a new earned income source, and undertaking a campaign to create a new center for youth music education and performance in San Diego.

President and CEO
The San Diego Youth Symphony and Conservatory (SDYS) is seeking a full-time President and CEO to lead all aspects of the organization. S/he will fulfill the vision to make music education accessible and affordable for all by building upon SDYS’ past successes to leveraging SDYS’ new opportunities. The President and CEO will collaborate with the Board of Directors and diverse team of high performing staff and faculty.

The President and CEO is expected to be creative and entrepreneurial with the ability to deploy a high level of broad business management and strategic skills, generate resources and financial support, cultivate relationships with internal and external stakeholders, and manifest the culture of the organization. S/he must value networks and strive to leverage SDYS’ breadth of community relationships and programs to achieve systemic local and national impact. S/he will embody SDYS’ core values of inclusiveness, personal achievement, and community leadership.

Roles and Responsibilities
The President and CEO is responsible and accountable to the Board of Directors to achieve the mission and vision of SDYS. The President and CEO has the latitude to manage the organization within the policies set by the Board with primary responsibility for the following areas:

Mission and Institutional Vision
The President and CEO ensures SDYS staff and board members focus their efforts on fulfilling the organization’s mission and vision. This is achieved by partnering with the Board of Directors to develop and articulate a compelling mission and vision to establish the organization’s priorities, strategies, and tactics. The President and CEO leads the staff in setting goals, developing strategic plans, overseeing implementation of those plans and monitoring progress toward goals.The President and CEO is responsible for the organization’s staffing structure and prioritizing adequate resources to achieve the mission and vision based on recommendations from the Leadership Team.

Board of Trustees
The President and CEO works closely with the Board Chair and Committee Chairs to support the Board of Directors in its Generative, Strategic, and Fiduciary governance roles. This includes serving as the primary staff liaison to the Executive and Governance Committees and overseeing staff serving as the primary liaisons to other committees. The President and CEO advises the Board Chair, Committee Chairs and full Board of Directors on all matters, including vision, bylaws, policies, and financial management. Responsibilities include attending and reporting at Board and Committee meetings, tracking the Board Strengths Profile, recommending and orienting new board members, and publicly recognizing the Board’s leadership in establishing and supporting the SDYS vision. The President and CEO is a principal contributor to the Board’s culture of collaboration, trust, and service.

Educational and Artistic Programs
The President and CEO ensures program design and delivery align with the SDYS mission and vision. This is achieved by working closely with the Music Director, Deputy Director and program managers to identify opportunities and community needs that SDYS is best positioned to achieve through its mission and vision. The President and CEO upholds SDYS’ collaborative process for developing, adapting and implementing programs in accordance with SDYS’ values, policies and goals. As such, the President and CEO will bring innovative ideas and nurture a reflective dialogue to encourage student and parent voices and opinions while creating accessible and engaging programs for all students. The President and CEO approves program evaluation methods, reviews results, and ensures evaluation results are used to strengthen programs and services to students, families, and the community.

Development
The President and CEO plays both an active and oversight role in resource development by collaborating with the External Relations Director to strategize annual development goals, plans and activities. Specific President and CEO activities include building relationships with key individual and institutional donors, identification and engagement with prospective individual and institutional donors, solicitation of major contributions, and widely communicating the case for support of SDYS and its programs. The President and CEO’s oversight role includes ensuring compliance with Board giving policies and monitoring the success of SDYS development activities.

Marketing and Communications
The President and CEO collaborates with the External Relations Director to strategize and monitor annual goals, plans and activities for marketing, communications, and public relations. The President and CEO serves as the primary spokesperson for SDYS with media, the community, internal stakeholders, and as SDYS’ primary advocacy representative and spokesperson with policy makers. As such, the President and CEO must be an eloquent and inspiring speaker, able to advocate on behalf of the organization with diverse audiences (institutions, donors, government, community, students, parents, etc.)

Partnerships 
Partnership is core to SDYS’ mission and vision. The President and CEO identifies, cultivates, and maintains partnerships that advance SDYS’ goals and impact. These include program, research, consulting, training, communications and advocacy partners. The President and CEO ensures SDYS has multiple points of contact with partners and assigns SDYS staff as additional points of contact to partners. Specific roles include serving as a board member for the Balboa Park Cultural Partnership and representing SDYS in key local, state and national associations, work groups, and initiatives. The President and CEO is culturally sensitive and can navigate easily with a wide range of minority families and uses inclusionary practices to create positive partnerships throughout the community.

Human Resources
As the leader of all SDYS staff, the President and CEO is responsible for establishing an ethical internal culture that inspires and motivates staff to collaborate and communicate effectively to fulfill the SDYS mission and vision. The President and CEO works in partnership with the Deputy Director to develop SDYS’ staffing structure and job descriptions, support the individual growth of staff members, maintain strong two-way communication among staff, and monitor compliance with regulations, payroll, and the SDYS Employee Handbook. The President and CEO will also collaborate with the Deputy Director to ensure staff receive consistent performance feedback and assessments. The President and CEO has sole authority for setting staff compensation, dismissal of employees and approval of all disciplinary procedures when necessary.

Financial Stewardship and Operations
The President and CEO works with the Deputy Director to ensure the financial integrity of SDYS and its resources. This includes jointly developing the annual budget with input from the Leadership Team, monitoring spending against the approved budget, and prioritizing equipment, supplies and facility needs. The President and CEO is charged with protecting SDYS against fraud by ensuring compliance with Board policies, strong internal controls, and adequate record keeping practices. Additionally, the President and CEO guarantees SDYS gives the Board-approved auditors full access to SDYS records and personnel.

Other projects as defined by the Board of Directors.

Leadership Qualities and Abilities 
In addition to fulfilling specific responsibilities, the President and CEO ensures the SDYS culture remains strong by embodying specific qualities and abilities. These include:

Collaboration and Relationship Building
The President and CEO must be naturally drawn to building collaborations and utilizing interpersonal relationships to fulfill SDYS’ mission and vision. SDYS’ success and culture are rooted in leveraging collaborations and relationships to achieve large scale impact. This is evidenced in SDYS’ partnerships with school districts, UC San Diego, and other arts organizations. This culture of collaboration is also strong among board and staff membrers. The President and CEO’s modeling, cultivating and deepening collaboration and relationships with all SDYS stakeholders empowers and energizes board and staff members to do the same.

Strategic Thinking and Systems Acumen
The President and CEO is the primary driver of SDYS’ strategic direction and activities to achieve school system level outcomes. This requires multiple skill sets in order to influence the systemic availability of music in-school and out-of-school. The President and CEO must simultaneously fulfill short term strategic tactics and be adaptive to new information or environmental changes that require modifying strategy. Similarly, the President and CEO must have the ability to recognize strategic opportunity and potential in seemingly unrelated information or situations.

Blending Optimism and Realism
SDYS’ vision is ambitous in scale. The President and CEO upholds all SDYS stakeholders’ belief in the vision while managing immediate and practical expectations. This includes articulating the relationship between current activities and the goals of the vision.

Balancing Multiple Priorities
SDYS operates in many spheres simultanesouly. This includes the historic conservatory programs, community programs, school district collaborations and consulting, research, technology and infrastructure development, community engagement and resource development. The President and CEO balances the multiple opportunities and interests of these activity areas so they complement and reenforce each other in pursuit of the SDYS vision.

Qualifications
We’re seeking candidates who are results oriented and able to lead others to achieve. You should have:

  • 10+ years of leadership experience in music education, nonprofit management, or community building. Experience in more than one of these categories is preferable.
  • Experience in the following areas is also desirable: resource development, marketing and communications, advocacy, research, financial management, and nonprofit governance.
  • A demonstrated history of leading a staff team of 10 or more and collaborating with a volunteer board of 10 or more members
  • A background in mobilizing community members to support a public benefit cause
  • Experience working with diverse communities
  • Excellent written and oral communication skills
  • Excellent organizational skills and attention to detail with an ability to prioritize their own work, delegate, and support their team’s work
  • A strong sense of integrity and collaboration
  • Bilingual English/Spanish a plus
  • A bachelor’s degree

Additional
This position requires sitting at a desk or workstation, walking, standing, climbing stairs, hearing, speaking, being able to lift up to 25 lb. and able to drive to locations pertaining to organizational operations. In compliance with federal law, all persons hired will be required to verify identity and eligibility to work in the United States and to complete the required employment eligibility verification document form upon hire. This is a full-time position with work responsibilities on weekends and/or evenings according to the season calendar.

To Apply
To apply, please send an email with a current resume and thoughtful cover letter to CEOSearch@sdys.org.



Article source here:Arts Journal

Academy Decides Not To Bar Streaming Movies From Oscars

The board of governors of the Academy of Motion Picture Arts and Sciences “left intact Rule Two, the one that established that a film” — in...