"By combining economic and cultural discussion with interpretations of musical sounds, I have tried to reveal some of the ways new music—its composition, performance, and reception—has been shaped by assumptions drawn from neoliberal dictums. More importantly, I have attempted to argue that when classical music (or any other beloved art form or practice) is pragmatically re-oriented to align with hegemonic values, it contributes to the propagation of those values throughout society."
Article source here:Arts Journal
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