The high “Dolly” ticket, which is for weekend performances, reflects strong demand to see Bette Midler’s Tony-winning turn before her run ends on Jan. 14. And the front row provides an opportunity for fans to be quite close to her: She performs the title song on a passerelle, a walkway that arcs in front of the stage, and she often reaches out toward audience members, sometimes shaking their hands.
Article source here:Arts Journal
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