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The soundtrack for any given showing depended, in large part, on the setting. At deluxe movie palaces, films were often accompanied by entire symphony orchestras. “A medium-sized neighborhood theater might carry between five and ten musicians,” writes Scott Eyman in The Speed of Sound: Hollywood and the Talkie Revolution, 1926–1930. “Even the meanest fleapit in the sticks had a piano player.”
Article source here:Arts Journal
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