You can’t measure schmoozing skills in auction data—or, can you? Trustees and big-name art collectors, after all, tend to collect (and, therefore, want to see exhibited) the kind of expensive art, mostly by white men, that Molesworth explicitly tried to move away from. More generally, they like to see the value of their market-friendly collections ratified with prestigious museum shows. Once you’ve spent millions of dollars on a certain artist’s work, you generally want museums to reinforce what your art advisor and your dealer have been telling you, which is that the artist in question is a great genius worthy of being preserved for posterity.
Article source here:Arts Journal
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