This perplexing explanation of private family control, regardless of public ownership by the city of Paris and listing as a historical monument, was confirmed to Hyperallergic by Sylvie Lesueur, the conservator of Cimetières Montparnasse, who gave no further details other than confirming that the Rachewskaïa family is behind the boxed Brancusi. For now, “The Kiss” sits covered in secrecy by a very solid wooden box with a tiny hole, ostensibly serving to confirm that the sculpture is indeed still there — for now.
Article source here:Arts Journal
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