Rise Of The Fake Museum

Call it the Kusama effect. Since Japanese artist Yayoi Kusama’s Infinity Mirror Room exhibition has taken off (the recent Los Angeles opening of her show at The Broad sold out their 50,000 tickets in less than two hours), it has fueled a debate around selfie-friendly art. Although Kusama’s artworks were not necessarily made for the smartphone (many were made in the 1960s), it’s still part of the “made-for-Instagram” exhibits, or “selfie factories”.

Article source here:Arts Journal