American TV Was On Its Way To Being Diverse Back In The 1940s. Here’s Why We Got ‘Leave It To Beaver’ Instead

“At the start of the Cold War, a prominent group of women, who had worked their way up in broadcast media in the 1930s and ’40s, were poised to use the new medium of television to create the kind of inclusive, intersectional content that is only today finding traction. Then, the blacklist, a vicious, hearsay-riddled manifest of Hollywood talent with ties to Communism, silenced their creative output. It effectively turned back on the dial of progressive representations on TV by decades.”

Article source here:Arts Journal