While virtual art has sometimes elicited eye rolling reactions from art critics and curators, projects like Nancy Baker Cahill’s 4th Wall show that the medium can apply the language of fine art to new media with subversive ends. The artist highlights that if VR/AR technology continues to enable “hyper-violent, militaristic, or pornographic [images], we allow it to be dominated by themes that don’t contribute thoughtfully to culture,”
Article source here:Arts Journal
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