The series initiated in 2016, when the Huntington invited scientists from NASA and the Jet Propulsion Laboratory to build a sound installation that represented the movement of the International Space Station. The next year, the Huntington’s hushed halls filled with the tumult caused by artists affiliated with the Los Angeles–based Women’s Center for Creative Work. For that exhibition, Jheanelle Garriques responded to the Huntington’s Anglomaniac bent by curating a bluestocking storytelling, letter-writing, and dance event; Kiki Loveday reacted to the library’s rich holdings of classical images through her creation of a Sapphic and queer florilegium of ephemera. Now, it’s Caycedo and Ybarra’s turn to shake the Huntington down to its foundations with their interventions. – Artsy
Article source here:Arts Journal
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