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“Conceptually, one might argue, Western classical music is tailor-made for global promulgation since a score written in country A in year X could theoretically be rendered equally well by musicians in either country B in year Y or country C in year Z. But, of course, thanks to the advent of recording technology well over a century ago, those folks in A, B, and C can now easily listen to each other. As a result, any locally made music has the possibility of reaching a global audience. ” – NewMusicBox
Article source here:Arts Journal
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