“He persuaded architects, developers and public officials to let him immortalize their buildings and monuments on film in altitudinous detail. He would scale precarious perches with construction workers and point his lens toward the ground hundreds of feet below, or mount his camera, sometimes equipped with a fisheye lens, on poles as long as 42-feet, so that he could snap the shutter remotely and even photograph himself.” (And, actually, he did have a fear of heights.) – The New York Times
Article source here:Arts Journal
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