“In addition to his fourteen operas, he composed song cycles, choral pieces and musical monodramas, establishing himself as one of the most adept practitioners of text-setting within his generation of American composers. Though his polystylistic idiom ranges from opulent Romanticism to acerbic dissonance, his melodic lines are unfailingly well suited both to the voice and to the straightforward delivery of the words.” – Opera News
Article source here:Arts Journal
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