“Since the independence of West African countries throughout the late 1950s and early ’60s, the retention of objects and the simultaneous rejection of people has become ever more fraught. Young undocumented migrants from former French colonies stand metres away from the Musée du quai Branly – Jacques Chirac, a museum in Paris full of their inaccessible patrimony. The migrants are treated with contempt while the objects from their homelands are cared for in museums and treated with great reverence. The migrants will be deported but the objects will not be repatriated. The homeland is therefore only home to objects, not people.” – Aeon
Article source here:Arts Journal
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